![]() ![]() Thus, intervals between shots cause changes and internal transformations which participate in the harmonization of the film. Norman McLaren also explains that « animation is therefore the art of manipulating the invisible interstices that lie between frames 2». For Deleuze, « you can bring two instants or two positions together to infinity but movement will always occur in the interval between the two 1». ![]() On the contrary, it is the productive gap that organizes the shift between shots. Vertov’s interval is not determined to create or maintain the illusion of continuity. Vertov defines it as the passage from a shot to another, creating spatio-temporal transformations. In cinema, interval is what separates two photograms or two shots. This Atomist void isn’t considered space or container but an interval that creates a discontinuity between bodies and permits movement thanks to their contiguity or contact. In Occident, the Atomistic Philosophy maintains that nature is only composed of atoms and void. It may also describe minor changes as well as radical transformations. This term refers to the interval, the interstice but also space and boundaries. "When we focus on the notion of interval throughout History, mention should be made of the Japanese concept of Ma. ![]()
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